Courtney Symes - Page 7

Southern New Zealand is known for its alternative rock roots, but songstress Molly Devine is here to shake things up a bit. Her first single since 2019's Rain in the River EP is being released on February 27. a?oeCall Me Upa?? blends Devine's ethereal sound of pop and electronic with beautiful scenery to convey the exhilarating and hopeful frenzy of new love.

It was just this past December when Oisin Mac Diarmada charmed his way into the hearts of Northern Californians at The Sofia. His Irish Christmas in America tour sold out several cities during the North American tour, and rightly so. Its blend of storytelling, dancing, world-class musicians, and unexpected comedy made for an unforgettable evening. Now, Mac Diarmada has brought Ireland back to us. This time he comes with his traditional Irish supergroup, Teada (which means strings in Irish).

Over the second weekend of February, thousands of students and educators from around the globe gathered at the 4th annual Junior Theatre Festival (JTF) West here in Sacramento. For many, the highlight was hearing the incredible voices that come to the Festival each year to share their experiences and hard-earned wisdom. One such voice was best-selling author Jodi Picoult, who believes in the mission of the Junior Theatre Festival so much that she strives to be at both the Atlanta and Sacramento events each year. This year, however, was even more special. The musical, Between the Lines, which is based on a book written by Picoult and her daughter, Samantha van Leer, opens Off-Broadway on April 21. Much of the talent responsible for bringing the novel to the stage was at JTF West talking about their journey and showcasing songs for the first time for the lucky young thespians. Included were composing team Elyssa Samsel and Kate Anderson, Tony-nominated director Jeff Calhoun, and book writer (and JTF founder) Timothy Allen McDonald. Broadway World Sacramento was able to sit down with Picoult and speak to her about the challenges of getting a show to Off-Broadway, women in theatre, and all things Between the Lines.

Forget that other show. I was in the REAL room where it happened last weekend at the 4th Annual Junior Theater Festival West (JTF), which celebrates youth theatre and encourages students and teachers to keep theatre alive in their community. Each year it follows the Junior Theater Festival in Atlanta, which just finished its 15th season. Over 2,200 people participated in the three-day festival, some coming from as far away as Australia, England, and South Korea. Students and educators benefited from the knowledge of top Broadway professionals in the form of adjudications, workshops, and a discussion panel entitled Pathways to Success, in which the featured guests shared how they forged their own paths to Broadway and beyond.

Shakespeare once wrote, a?oeIf music be the food of love, play on!a?? Although he was talking about satiating an appetite for love, why not listen to music to celebrate love? You can extend the Valentine's Day festivities this year by going to see Dennis Johnson and the Mississippi Ramblers perform at The Sofia on February 15. Their show has been called a?oea must seea?? by Modesto View Magazine and Johnson was lauded as a a?oemaster slide guitarista?? by Rootstime Magazine. BroadwayWorld Sacramento spoke to Johnson about the upcoming performance and what we can expect in the future.

Once in a while, you're lucky enough to witness something so special that you are forever changed. I've stared at this computer screen for hours trying to verbalize what is still swirling around in my head, impressions that are seemingly impossible to solidify into communicable thoughts. Last night's performance of Dear Evan Hansen plunged me into deep reflection, something only a handful of shows have accomplished. The show that won six Tony Awards in 2017 and a 2018 Grammy for Best Musical Theatre Album is in Sacramento now through January 26 for a west coast jaunt of its first national tour.

In a place somewhere between Frog Level and Smyrna, NC, lies the Double Cupp Diner and Pump Boys Filling Station. Go on in and grab yourself a piece of pie! Rhetta and Prudie will take good care of you while Jim, L.M., Jackson, and Eddie top off your car. If you're lucky, you may even bear witness to some of the toe-tapping tunes they belt out. Though it's a lesser-known show, Pump Boys and Dinettes was nominated for a Tony Award for Best Musical and four Drama Desk Awards in 1982. It's more concert than musical, but the country/rock/blues score promises to give you a surprisingly entertaining hour and a half full of corny jokes and energetic performances.

Who knew that Sacramento's very own sought-after, award-winning choreographer was also a burgeoning philanthropist? It's time that everyone did, because Jacob Gutierrez-Montoya's non-profit dance company is showing no signs of slowing down. In its inaugural 2015 performance, Resilience, the Sacramento Contemporary Dance Theatre (SCDT) raised $12,000 for the UC Davis Comprehensive Cancer Center. Gutierrez-Montoya created the company after finding a need to bridge the world of local charities with his medium of spreading awareness-dance.

In this digital age, we all want to be seen and heard-and not just online. As sentient beings, we crave and thrive on human interaction and affection. Perhaps this pertains to no group as much as teenagers, whose self-worth relies heavily (and sometimes solely) upon the image reflected back to them by their peers. With this comes depression, isolation, and incredible pressure. Catapulting these issues to the forefront of everyone's consciousness is the six-time Tony Award-winning musical, Dear Evan Hansen. On its first national tour, it stops in Sacramento on January 15 at the newly renovated Memorial Auditorium. Stephanie LaRochelle, who plays the role of Zoe Murphy, recently spoke to Broadway World Sacramento about touring with the show that has been dubbed, a?oeone of the most remarkable shows in musical theatre history,a?? by Peter Marks of The Washington Post.

Now that Christmas is over, we have only 364 days to wait until next year's festivities! Even less than that to begin thinking about attending all of the holiday activities that contribute to making the season so special. I will definitely be starting a new tradition of seeing the show, Irish Christmas in America, after experiencing it at The Sofia last weekend. I am hoping that we are gifted with another tour in the area in 2020.

Christmas is a time that evokes many different feelings. For some, like me, the stress of finding the perfect gifts is balanced with the coziness of having everyone at home enjoying our family traditions. Warm fires, hot cocoa, maybe seeing a production of The Nutcracker or A Christmas Carol, and enjoying the company of those we don't see but a few times a year. Of course, I am always open to exploring new traditions and this year I am particularly excited to experience the lauded Irish Christmas in America. It was started in 2005 by popular Sligo fiddler Oisin Mac Diarmada and boasts talented musicians, singers, and dancers Niamh Farrell, Seamus Begley, Samantha Harvey, Sean Gavin, and Grainne Hambly. Broadway World Sacramento spoke to Mac Diarmada about his whirlwind annual tour, Irish traditions, and how the upcoming show in Sacramento falls on a very special day. Nollaig Shona dhaoibh! Merry Christmas to you!

One of my favorite holiday traditions is going to the theatre to see shows that celebrate the magic of the season. For the past three years, I've been fortunate enough to experience that with the Sacramento Theatre Company (STC) and their unique production of A Christmas Carol. This adaptation was written over 30 years ago for STC by Richard Hellesen and David DeBerry and still delights with its festive music and timeless message from Charles Dickens.

Deathtrap, the longest-running comedy/thriller on Broadway, brings tantalizing twists and shocking turns to Sacramento Theatre Company (STC) this month. This 1978 play-within-a-play by Ira Levin (Rosemary's Baby, The Stepford Wives) was nominated for four Tony Awards, including Best Play. Directed by STC's Executive Producing Director, Michael Laun, Deathtrap is a deliciously suspenseful whodunit and being entertained in the cozy Pollock Theatre is a perfect way to spend a chilly fall evening.

Who would guess that what has been described as a sleepy little cowtown is actually a hotbed of young musical talent? The latest to join Sacramento's rank of up-and-coming people-to-watch is Sam C. Jones, a transplant from Virginia who landed on the west coast in 2016 and has quickly made a name for himself in the world of local professional theatre. He has recently returned to his passion of songwriting and will be releasing an album of original work later this winter. Broadway World Sacramento spoke to Sam about the King, country music, and what gets his creative juices flowing.

a?oeYou'll shoot your eye out, kid!a?? can mean one thing and one thing only. A Christmas Story, the Musical is on the first stop of its holiday tour here in Sacramento. Based on the 1983 movie, the musical boasts songs by Benj Pasek and Justin Paul, the duo responsible for Dear Evan Hansen and La La Land. This season, viewers are in for an extra treat as the Community Center Theatre undergoes its massive renovation. Broadway on Tour shows are being performed in the beautiful, historic Memorial Auditorium, which has itself just undergone updates, including acoustical improvements that have made the venue a contender in quality.

Dynamic is the word that comes to mind when speaking with John Tesh. His passion for his life, family, and career come across clearly in his instantly recognizable made-for-performing voice. Tesh was a staple in the 1980s on the popular television show, a?oeEntertainment Tonight.a?? Sports fans know him from broadcasting the Tour de France, Olympics, and other events. Still others follow his musical career, which boasts wins for six Emmys, two Grammy nominations, and three gold records. Tesh is bringing his unique performance to the Harris Center on December 5 with his a?oeSongs & Stories from the Grand Pianoa?? tour which, based on reviews, promises to be a night to remember. Broadway World spoke to him about his upcoming show, his cancer battle, and much more!

What better way to kick off the fall season and Sacramento Theatre Company's (STC) 75th season than with a satirical homage to Gothic romance? Jane Austen's first completed novel, Northanger Abbey, is the much-anticipated opener of this season of Decades, Divas, and Diamonds. Local playwright and actress, Carissa Meagher, has adapted this book especially for the STC stage and even cleverly included a role for Jane Austen, herself.

Ranked, A New Musical is backa??and it's better than ever. You might recall that the premiere of this show about buying grades eerily coincided with breaking news of the college admissions scandal. The story's creators, Kyle Holmes and David Taylor Gomes, wanted to highlight the enormous pressure that students today were under. They spoke to their drama students at Granite Bay High School and came up with Ranked, which quickly garnered critical acclaim from both local and national outlets.

Davis Shakespeare Festival (DSF) is closing out their 2019 season with Comedy of Errors, one of Shakespeare's earliest and shortest works. This adaptation was born of a project by the Oregon Shakespeare Festival called Play On Shakespeare in which playwrights are challenged with making the Bard's works relatable to a wider audience by modernizing the language and adding their own flair. Playwright Christina Anderson has succeeded in bringing a fresh and vital version of this work to life and the artists at DSF have personalized it more by introducing some gender switching in a funky 70s setting.

In the Heights, Lin-Manuel Miranda's love letter to the New York neighborhood in which he grew up, is finally at Broadway at Music Circus after a summer of anticipation. The first draft was written in 1999, when he was a sophomore at Wesleyan University. After being accepted by the student theatre company, it was seen by four people who decided it was worth a further look-one of them being Thomas Kail, who went on to direct both In the Heights and Hamilton. After opening on Broadway in 2008, In the Heights took home four Tony Awards out of thirteen nominations and solidified Miranda's place on Broadway.