Cindy Marcolina - Page 47

59 years after it first premiered, Roger Gellert's Quaint Honour is revived as part of the fiftieth anniversary of the Sexual Offences Act. In 50s Great Britain, homosexuality is still illegal, but this doesn't deter the boys at boarding school. Following a dare, Tully (Harley Viveash) sets off to seduce one of the younger pupils, Hamilton (Jack Archer). Little did he know his actions would kick off something bigger than headmaster Hallows' (Simon Butteriss) rage.

It's New Year's Eve 1999 and Jennifer (Elizabeth Chadwick) and Christopher (Simon Burr) are ready to host the party of the millennium. But as their guests begin to arrive, everything starts falling apart.

Daniel (James Lance) and Oliver (Joshua Silver) are the picture of a happy gay marriage. Now, they're about to have their first baby with their closest friend Priya (Chetna Pandya) acting as a surrogate. Chris Thompson's Of Kith and Kin, which premiered at Crucible Sheffield last month, is a powerful and touching play that questions family values, parenthood, masculinity, and the subtle effects of abuse.

Twenty years after its first premiere, Terry Johnson's Insignificance is being given new life by director David Mercatali. He discusses his career and how the world has changed since the play was first on.

Director Maggie Norris is embarking on a new journey with Phoenix Rising. She explains why she started The Big House and how vital it is to give support to youngsters leaving care.

Madeline (Peyvand Sadeghian) wants the only thing her partner Toni (Harriet Green) can't give her: a baby. When Maddie offers a solution involving someone from their past, Toni starts to be concerned about her role in Maddie's life. Frankie Meredith's debut play is an inspiring piece that questions the notion of family, the privilege of being able to start one, love and, ultimately, identity.

On a geography trip to the Scottish Highlands around 1998, middle-schooler Ramona (Ruby Bentall) falls for Jim (Joe Bannister), a socially awkward simpleton with a passion-bordering-obsession for crustaceans. Their shared love for Enya's music combined with the teenage isolation that comes with weird interests inevitably leads them to bond.

On Sunday, 17th September, 8 Northumberland Avenue saw theatre veterans and newcomers gathering together to celebrate the latter's accomplishments. The first edition of The Stage Debut Awards was a success, and the red carpet turn-up was a grand and sparkling line of stars and stars-in-the-making. Dressed to the nines in suits, gowns, and make-up worthy of Hollywood's glitziest of nights and shrouded in the humbleness and grace that only belong to the theatre folk (well, most of them, anyway), actors, writers, composers, and directors walked with full hearts and starry eyes.

Catherine Steadman's career spans stage and screen: from Mansfield Park to Downton Abbey, and from Oppenheimer (which earned her an Oliver Award nomination) to That Face at the Royal Court. She's now embarking on a new production of Agatha Christie's Witness for the Prosecution at London County Hall.

We use them every day. Sometimes we mean them, other times we don't. We whisper, sing, or scream them. Words permeate our lives from the very start, and theatre director Peter Brook accompanies us on an intimate journey through language and meaning in his new book Tip of the Tongue.

When Sister Aloysius (Stella Gonet), St. Nicholas Church School's conservative and distrusting principal, learns from Sister James (Clare Latham) that Father Flynn (Jonathan Chambers) had a one-on-one meeting with Donald Muller - the first and only African-American pupil of the school - she is immediately alarmed, believing sexual misconduct must have occurred.

Samuel Beckett's Waiting for Godot returns to the Arts Theatre, 62 years after making its English-language debut at the same venue. This production focuses on the play's essence, with director Peter Reid stripping off all frills.

Cherrelle Skeete, who originated the character of Rose Granger Weasley in Harry Potter and the Cursed Child, is now starring in the Lyric Hammersmith's production of The Seagull, which begins on 3 October.

Mick and Sylv's (Patrick Driver and Charlie Hardwick) home is a safe haven for some of the teenagers living in a small town in Northumberland. Dummey (Ryan Nolan), Laura (Aimee Kelly), and Shelley (Sarah Balfour) are all there for different reasons, united in the love the two adults give them. However, the dark shadow of a past looms over the house, as Dean (Joe Blakemore) - an older guest of Mick and Sylv's - becomes a threat.

Michael Yale gives new life to Jordan Tannahill's Late Company at Trafalgar Studios after a critically acclaimed run at Finborough Theatre earlier this year. The cast is once again inspiring and the production is even more poignant than the last.

Songwriter Robert J. Sherman just ended a run of his latest show A Spoonful of Sherman at Live at Zedel. He discusses the genesis of the cabaret and his family's musical heritage.

Andrew Maddock explores a difficult family relationship marred by old issues and mental health in his new play. While Darren (Nebiu Samuel) believes he's going to beat Usain Bolt in the Men's finals, Simon (Rhys Yates) is dealt a heavy hand trying to maintain the ties with his estranged sister Abigail (Michelle Barwood) and struggling to support Darren. The picture of a dysfunctional family, Olympilads leaves the audience with a broken heart and a punch in the gut.

Director Katherine Nesbitt leads the UK premiere of Boom, which premiered at the Ars Nova Theatre in New York in 2008. Following huge success in its first run, it became a favourite among producers, and it's not hard to understand why. Peter Sinn Nachtrieb's play is intelligent and apocalyptically funny.

Tony (Lee Knight) and Greg (Jason Nwoga) have been together for five years. Their relationship is safe, secure, and built on the notion that both of them are allowed to have one-night stands out of their flat. But when Tony hires Robert (Tom Lambert) as a cleaner, the couple's balance starts to shift. Directed by Adam Spreadbury-Maher 35 years after it first premiered in London, Kevin Elyot's Coming Clean is hilarious in his honesty and openness.

Georgiana Vicary, her whole family and her circle of friends are all waiting for shy Adam Lancaster to propose to her and end her shame of being almost 30 and still unmarried. Her conscience and truthfulness, however, do not make her life with the handsome fiance easy. The first London production of suffragette Cicely Hamilton's play in over 100 years is diverse and funny, but takes time to properly kick off.