I’m a freelance print and radio journalist based in Galway, Ireland. I write about the arts, history, and travel, and contribute to the Sunday Business Post, Irish Times, Irish Examiner and Books Ireland. I’ve written about theatre for the Sunday Business Post and Irish Theatre Magazine. I have made radio documentaries – one about the biggest table quiz in the world and one about the first surfer in Europe – for two national radio stations in Ireland: RTE and Newstalk.
Director and choreographer Michael Keegan-Dolan has been nominated for UK Critics’ Circle National Dance Award for Best Modern Choreography for his piece MÁM, and dancer Rachel Poirier has been nominated for the Outstanding Female Modern Performance in the piece.
A new Druid theatrical production, Boland: Journey of a Poet, will be live streamed from The Mick Lally Theatre, Druid’s home in Galway, Ireland, from Thursday 22 to Saturday 24 April. With words by Eavan Boland, edited by Colm Tóibín and directed by Garry Hynes, Boland: Journey of a Poet explores the mind of the late, great poet Eavan Boland.
Druid has announced that audiences around the world can access a free stream of its 2020 production of The Cherry Orchard. The production forms part of Culture Ireland's SEODA festival showcasing Irish arts, which takes place online during this year's St Patrick's Day celebrations.
The Cherry Orchard will premiere online at Friday 19 March at 8pm GMT and will be available to stream for 36 hours.
Sonya Kelly’s touching and kinetic Once Upon a Bridge imagines the lives of three protagonists in the leadup and aftermath of a near-tragedy on London’s Putney Bridge in 2017.
Druid is delighted to announce the live stream of Once Upon a Bridge, a new play by Sonya Kelly. The production will be directed by Sara Joyce and will premiere at The Mick Lally Theatre in February for four performances. Audiences across Ireland and beyond can watch this new play from their own home.
The most famous lines associated with the play Cathleen ní Houlihan (1902) aren’t actually in the script.
It's a time of seismic change as the old order is crumbling and new values are being forged in an uncertain, fledgling society.
Through the lens of three generations of a Dublin family, Dylan Coburn Gray's ambitious Citysong unfolds on a single day – but ricochets between past and present – to track the momentous and the minute changes in the lives of its characters who are, ultimately, just “a pinch in the hourglass” of the city's tapestry
As a dinner party haunted by absences draws to a close, Morkan, the evening's irrepressible host, stumbles to a confession. “It's just that life has felt so wobbly,” she says, pointedly avoiding eye contact with any of her guests. “I feel dislocated...exiled...and I'm not sure why... and maybe that's the world”.
Irish dance company Teac DamsaHouse of Dance has just announced that its production of Swan Lake (or in the Irish language translation, Loch na hEala) will embark on an extensive US and Canada tour, opening the Next Wave Festival 2019 at BAM, New York, before touring to Minneapolis, Ottawa, Los Angeles, Michigan, and North Carolina for six weeks.
'Furniture is not sentimental,' offers George, despairing at his difficulty in bequeathing his beloved chaise longue to a willing beneficiary, near the close of Sonya Kelly's scintillating new play Furniture. 'You can love it, but it won't remember who you are.'
Cristín Kehoe's Shelter attempts to negotiate the knotty relationship between Ireland's turbulent past and uneasy present.
“'Moving on' is for stupid people,” insists the haunted, just-bereaved Dad (Cillian Murphy) in the world premiere of Grief is the Thing with Feathers, Enda Walsh's ambitions, striking, but unsatisfactory stage adaptation of Max Porter's 2016 novel.
Druid Theatre, Galway, Ireland, announces the inaugural Marie Mullen Bursary, open to female theatre artists working in Ireland in the fields of design, directing and dramaturgy.
A stark exploration of inheritance, home, and the legacy of Ireland's post-Famine mindset, Eugene McCabe's unsettling, overlooked King of the Castle is imaginatively revived in Druid Theatre's production.
With sparkling assurance, Abbie Spallen's Pumpgirl splices comedy and tragedy.
In a dystopian landscape charged with searing verbal aggression, sustained horror, and gratuitous violence, Crestfall unfolds on the day when the lives of Olive, Alison, and Tilly fatefully intersect.
Twenty years after it premiered The Beauty Queen of Leenane, the debut work of unknown playwright Martin McDonagh, Druid Theatre Company is restaging the play that catapulted them and its author to international acclaim.
Debut playwright Meadhbh McHugh tackles traditional themes of home, identity, and duty in Druid's world premiere of Helen and I.
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