Ben is an avid theatergoer who has seen more than 350 musicals and plays. Some of his most memorable theatrical experiences include: accidentally insulting Andrew Lloyd Webber at a performance of Love Never Dies, attending the last Broadway performance of Elaine Stritch at Liberty and watching George Bizet’s opera The Pearl Fishers from the Presidential Box at the Kennedy Center Opera House.
Originally from Pittsburgh, Ben works for a Washington, D.C.-based nonprofit organization, and previously served in The White House. Ben has a Bachelor of Arts degree from George Mason University and a Master’s degree in strategic public relations from The George Washington University.
In a city where seemingly everyone is from somewhere else, A Doll's House Part 2 is about something all of us have had to do at some point or another, return home to face our past. Fueled by a powerhouse cast led by the dazzling Holly Twyford, Round House Theatre's production is a homecoming not to be missed.
The story of the Oslo Peace Accords is one of diplomatic maneuvering, political intrigue, and unforgettable characters. Director Ryan Rilette now has the profound task of transferring this momentous occasion to the stage with Round House Theatre's latest production, the 2017 Tony Award Winner for Best Play, Oslo.
For those hoping to see Kahn in his element, you have one last chance with The Oresteia. After that, well, this quote from Romeo & Juliet seems most appropriate, "Farewell! God knows when we shall meet again."
With 'velvet stairs, easy chairs, and perfumed air gently blowing,' the Grand Hotel Berlin may not be a character in the traditional meaning of the word, however, it is the catalyst which sets in motion the fate of every guest who walks through its opulent revolving doors. For choreographer Kelly Crandall d'Amboise, it is her job to provide that motion as the production begins performances this week at Signature Theatre.
For once, being conned is all it is cracked up to be.
When the curtain rises for Junk on April 5, it will mark a full circle for Actress Nancy Sun
Washington National Opera's (WNO) Eugene Onegin is exquisite! The entire evening soars like a dream with pitch-perfect performances led by the immaculate Anna Nechaeva as Tatiana.
Lamented as an ineffectual president, and later celebrated by then-Senator John F. Kennedy as a legislative statesman in his landmark book Profiles in Courage, Adams' legacy will get a long overdue reexamination thanks to Arena Stage and their world-premiere production of Aaron Posner's new play JQA.
In an era where everything seemingly gets remade, and usually not for the better, the idea of seeing a Cinderella set during wartime may give you pause - don't let it!
For Buckley, Arena's production will not only mark Kleptocracy's world premiere, but the chance to return to, "One of the most prestigious repertory theaters in America."
After a divisive election, and with a government shutdown looming next week, it's hard to think about what unites us. That is why Barber Shop Chronicles at the Kennedy Center could not be timelier.
Every role takes an actor on a journey. For Ben Cherry, the role of Lemml in Paula Vogel's play Indecent has taken him from Broadway to Minneapolis' Guthrie Theatre and, starting this week, to Washington's very-own Arena Stage.
Choreographer Parker Esse is responsible for not only ensuring that happens, but also for making sure that the moves of the characters onboard the S.S. American are not only de-lovely, but the tops!
Audiences familiar with Signature Theatre know that it is not uncommon for Matthew Gardiner to wear dual hats as both a musical's director and choreographer. However, having dual actors tackle the lead role brings its own set of unique challenges.
The Folger Macbeth has been adapted and amended by Sir William Davenant and is being done in a Restoration style. So what does that mean?
Signature's production celebrates the complexities of love with a production filled with a career-defining performance by leading lady Natascia Diaz and the type of mature, sleek, and sexy direction rarely seen in Washington.
At Trayf's core is the search for two universal desires, purpose and identity, and the play does not require one to be overly religious or familiar with Orthodox Judaism to enjoy it.
Watching Saint Joan, something seems missing in Bedlam's informal and intimate production. Maybe it is the grandeur of Europe's royal and religious court or the dazzling array of characters being brought vividly to life. Whatever it is, this production seems under produced, and that, when involving the great George Bernard Shaw is a cardinal sin.
Many only get to experience Feinstein through his recordings, PBS specials and the NPR show Song Travels with Michael Feinstein. However, this Saturday capital-area music and theatre aficionados will have the opportunity see him perform at the Strathmore Annual Spring Gala.
There is a great drama in Roz and Ray, but only if the focus is less on Roz and Ray and more about what brought them together, healthcare.
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