Benjamin Tomchik - Page 2

Benjamin Tomchik

Ben is an avid theatergoer who has seen more than 350 musicals and plays.  Some of his most memorable theatrical experiences include: accidentally insulting Andrew Lloyd Webber at a performance of Love Never Dies, attending the last Broadway performance of Elaine Stritch at Liberty and watching George Bizet’s opera The Pearl Fishers from the Presidential Box at the Kennedy Center Opera House.

Originally from Pittsburgh, Ben works for a Washington, D.C.-based nonprofit organization, and previously served in The White House.  Ben has a Bachelor of Arts degree from George Mason University and a Master’s degree in strategic public relations from The George Washington University.  

 






BWW Review: A DOLL'S HOUSE, PART 2 at Round House Theatre
BWW Review: A DOLL'S HOUSE, PART 2 at Round House Theatre
June 13, 2019

In a city where seemingly everyone is from somewhere else, A Doll's House Part 2 is about something all of us have had to do at some point or another, return home to face our past. Fueled by a powerhouse cast led by the dazzling Holly Twyford, Round House Theatre's production is a homecoming not to be missed.

BWW Interview: Ryan Rilette Creates Peace with Round House's OSLO
BWW Interview: Ryan Rilette Creates Peace with Round House's OSLO
April 28, 2019

The story of the Oslo Peace Accords is one of diplomatic maneuvering, political intrigue, and unforgettable characters. Director Ryan Rilette now has the profound task of transferring this momentous occasion to the stage with Round House Theatre's latest production, the 2017 Tony Award Winner for Best Play, Oslo.

BWW Interview: Washington Says Farewell to Michael Kahn with THE ORESTEIA
BWW Interview: Washington Says Farewell to Michael Kahn with THE ORESTEIA
April 26, 2019

For those hoping to see Kahn in his element, you have one last chance with The Oresteia. After that, well, this quote from Romeo & Juliet seems most appropriate, "Farewell! God knows when we shall meet again."

BWW Interview: Kelly Crandall d'Amboise Sets Signature's GRAND HOTEL in Motion
BWW Interview: Kelly Crandall d'Amboise Sets Signature's GRAND HOTEL in Motion
April 3, 2019

With 'velvet stairs, easy chairs, and perfumed air gently blowing,' the Grand Hotel Berlin may not be a character in the traditional meaning of the word, however, it is the catalyst which sets in motion the fate of every guest who walks through its opulent revolving doors. For choreographer Kelly Crandall d'Amboise, it is her job to provide that motion as the production begins performances this week at Signature Theatre.

BWW Review: Outstanding Acting Propels WSC Avant Bard's TOPDOG/UNDERDOG
BWW Review: Outstanding Acting Propels WSC Avant Bard's TOPDOG/UNDERDOG
March 21, 2019

For once, being conned is all it is cracked up to be.

BWW Interview: Arena's JUNK Brings Nancy Sun Back to DC and the World of Finance
BWW Interview: Arena's JUNK Brings Nancy Sun Back to DC and the World of Finance
March 20, 2019

When the curtain rises for Junk on April 5, it will mark a full circle for Actress Nancy Sun

BWW Review: WNO's Exquisite EUGENE ONEGIN at the Kennedy Center
BWW Review: WNO's Exquisite EUGENE ONEGIN at the Kennedy Center
March 12, 2019

Washington National Opera's (WNO) Eugene Onegin is exquisite! The entire evening soars like a dream with pitch-perfect performances led by the immaculate Anna Nechaeva as Tatiana.

BWW Interview: Arena's JQA Explores the Complicated Legacy of a Complicated American
BWW Interview: Arena's JQA Explores the Complicated Legacy of a Complicated American
February 27, 2019

Lamented as an ineffectual president, and later celebrated by then-Senator John F. Kennedy as a legislative statesman in his landmark book Profiles in Courage, Adams' legacy will get a long overdue reexamination thanks to Arena Stage and their world-premiere production of Aaron Posner's new play JQA.

BWW Review: CINDERELLA Enchants at the Kennedy Center
BWW Review: CINDERELLA Enchants at the Kennedy Center
January 19, 2019

In an era where everything seemingly gets remade, and usually not for the better, the idea of seeing a Cinderella set during wartime may give you pause - don't let it!

BWW Interview: A Return 30 Years in the Making - KLEPTOCRACY's Candy Buckley
BWW Interview: A Return 30 Years in the Making - KLEPTOCRACY's Candy Buckley
January 13, 2019

For Buckley, Arena's production will not only mark Kleptocracy's world premiere, but the chance to return to, "One of the most prestigious repertory theaters in America."

BWW Review: Kennedy Center's BARBER SHOP CHRONICLES Celebrates Community
BWW Review: Kennedy Center's BARBER SHOP CHRONICLES Celebrates Community
November 30, 2018

After a divisive election, and with a government shutdown looming next week, it's hard to think about what unites us. That is why Barber Shop Chronicles at the Kennedy Center could not be timelier.

BWW Interview: Ben Cherry's Journey From Broadway to DC with Arena's INDECENT
BWW Interview: Ben Cherry's Journey From Broadway to DC with Arena's INDECENT
November 20, 2018

Every role takes an actor on a journey. For Ben Cherry, the role of Lemml in Paula Vogel's play Indecent has taken him from Broadway to Minneapolis' Guthrie Theatre and, starting this week, to Washington's very-own Arena Stage.

BWW Interview: Parker Esse Makes Sure Arena's ANYTHING GOES is De-Lovely!
BWW Interview: Parker Esse Makes Sure Arena's ANYTHING GOES is De-Lovely!
October 25, 2018

Choreographer Parker Esse is responsible for not only ensuring that happens, but also for making sure that the moves of the characters onboard the S.S. American are not only de-lovely, but the tops!

BWW Interview: Matthew Gardiner Helps Two Billys Take Flight in Signature's BILLY ELLIOT
BWW Interview: Matthew Gardiner Helps Two Billys Take Flight in Signature's BILLY ELLIOT
October 19, 2018

Audiences familiar with Signature Theatre know that it is not uncommon for Matthew Gardiner to wear dual hats as both a musical's director and choreographer. However, having dual actors tackle the lead role brings its own set of unique challenges.

BWW Interview: Bedlam Comes to DC and the Folger with MACBETH
BWW Interview: Bedlam Comes to DC and the Folger with MACBETH
September 7, 2018

The Folger Macbeth has been adapted and amended by Sir William Davenant and is being done in a Restoration style. So what does that mean?

BWW Review: Signature's Complex and Layered PASSION
BWW Review: Signature's Complex and Layered PASSION
August 25, 2018

Signature's production celebrates the complexities of love with a production filled with a career-defining performance by leading lady Natascia Diaz and the type of mature, sleek, and sexy direction rarely seen in Washington.

BWW Review: Theater J's Explores Identity and Religion with TRAYF
BWW Review: Theater J's Explores Identity and Religion with TRAYF
June 7, 2018

At Trayf's core is the search for two universal desires, purpose and identity, and the play does not require one to be overly religious or familiar with Orthodox Judaism to enjoy it.

BWW Review: Folger's Intimate and Informal SAINT JOAN
BWW Review: Folger's Intimate and Informal SAINT JOAN
May 18, 2018

Watching Saint Joan, something seems missing in Bedlam's informal and intimate production. Maybe it is the grandeur of Europe's royal and religious court or the dazzling array of characters being brought vividly to life. Whatever it is, this production seems under produced, and that, when involving the great George Bernard Shaw is a cardinal sin.

BWW Interview: Michael Feinstein Brings the Great American Songbook to Strathmore
BWW Interview: Michael Feinstein Brings the Great American Songbook to Strathmore
May 10, 2018

Many only get to experience Feinstein through his recordings, PBS specials and the NPR show Song Travels with Michael Feinstein. However, this Saturday capital-area music and theatre aficionados will have the opportunity see him perform at the Strathmore Annual Spring Gala.

BWW Review: Theater J's ROZ AND RAY is in Critical Condition
BWW Review: Theater J's ROZ AND RAY is in Critical Condition
April 12, 2018

There is a great drama in Roz and Ray, but only if the focus is less on Roz and Ray and more about what brought them together, healthcare.



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